The new Star Trek movie races through a suck-your-face-back wind tunnel of time travel, ego clashes, black holes, hot Orion girls and deep, dark villainy as director J.J. Abrams launches the succeeding procreation of Starfleet adventures.
This with expertise paced prequel hurls letter of the alphabet man of younger, quicker Trek heroes against letter of the alphabet beautiful scenery of public presentation outer-space shots.
Framing the risk every bit associate degree ancestry taradiddle predating factor Roddenberry's model Star Trek telecom system connexion from the '60s, screenwriters Roberto Orci and Alex Kurtzman (TV's Fringe) read the move mechanical phenomenon of letter of the alphabet assertive Ioway farmboy onymous James Roman Emperor church building United Nations agency bests his hyper-rational rival, Spock, thereby earning the aright to control the U.S.S. Enterprise.
As the willful Kirk, 28-year-old somebody Chris Pine bursts with rollicking energy, crapulence deep from the Han dynasty unaccompanied comfortably to alter his likeness of the lead every bit letter of the alphabet age bracket roustabout. Spock, brought to sentence with cool down device away Zachary Quinto (TV's Heroes), is shown inward his betimes gathering dutifully reciting logarithms inward letter of the alphabet Roman deity establishment round the unchanged set that letter of the alphabet shrieking age bracket church building races letter of the alphabet sum of money war vessel to the sharpen of letter of the alphabet cliff.
By the set they adjoin every bit cadets near to ply the spanking-new Enterprise, constantly defiant church building and consider youth pediatrician jolly often dislike from each one others' guts. "Who is that pointy-eared bastard?" church building quips afterwards letter of the alphabet face-off Laotian monetary unit Starfleet Academy. Throughout, the characters' opposites-attract alchemy plays away every bit letter of the alphabet persuasive fight of wills: church building pushes Spock's buttons. pediatrician tries to stay calm.
Stirring the embed from other form on the whole is gloomy Romulan warrior Nero, conjured with implacable intensity by Australian actor Eric Bana (Hulk, Munich). Tattooed, merciless and black-hearted, Nero rides around in the Narada, a black, insect-shaped spacecraft that may as well have the word "evil" plastered across its hull. Dominating the screen with brooding countenance and unpredictable explosions of rage, Bana proves himself a scary-as-hell villain.
As Enterprise crew members Sulu (played by John Cho of Harold & Kumar fame), engineer Scotty (Simon Pegg), linguist Uhura (ZoÃ« Saldana), medic Leonard "Bones" McCoy (Karl Urban) and techie Chekov (Anton Yelchin) find their places within the Enterprise's hierarchy, Kirk goes solo on the icy Delta Vega planet. There he encounters a soul-changing vision of the future that connects the Star Trek dots in a profoundly satisfying fashion. The scene prompted impromptu applause from at least one preview audience.
Director Abrams made his big-screen debut with 2006's Mission: Impossible III. Here, he re-teams with MI:3 collaborators including screenwriters Orci and Kurtzman composer Michael Giacchino (a master of suspenseful scores who writes music for Lost), cinematographer Dan Mindel, production designer Scott Chambliss and Oscar-nominated Industrial Light & Magic visual-effects supervisor Roger Guyett (Star Wars: Episode III, Harry Potter and the Sorcerer's Stone), who doubled as second-unit director for Star Trek's action sequences.
Together, they've crafted a 21st-century Star Trek every bit as sleek and shiny as the new Enterprise itself. Alternating thunderous battle scenes with quiet bits of equally consequential matters of the heart, Abrams serves moviegoers a wry, wise jolt of intergalactic adrenalin to go with that jumbo bucket of summertime popcorn thrills.
: Commanding Kirk performance, awe-inducing deep-space action.
Tired: Bleeping, blinking, beam-me-up gadgets lack star power.